artist statements: Performance can create a connecting moment of here and now, with direct human presence - no need for substitutes, "abstractions", or mucking about, or anything coming in between. My goal as an artist is to help develop and encourage individual sensitivity and expression through the perspective of dance. This can happen along the entire spectrum of human experience. All the layers count, each in its own right. form = function - any function is manifested in its very own form - "non-form" simply means the speaker hasn't understood a present form just yet... - "formlessness" is a good indicator for structures that are in-formation. I find them more reliable than many (former) codes which would simply offer assumptions instead of presently formed understanding / shortcuts and overview. In-formation has a chance to be created by response-able individuals or group(s) of individuals over space & time... Tradition is important to me as a collection of comparable and original attempts to make life better. If actual sensitivity can re-balance historic tradition successfully, then fundamentally more stable and stronger connections and methods will result.

I want to face the unknown, what is beyond my individual patterns, make us all more acquainted with situations where we don't really know what is going to happen next. I believe this can be trained, just like good dancing or any other craft....

Consequently it can become easier to deal with chaos and unpredictability through successful realisations of our creative imagination, helping the development of viable alternatives to present-day problems.

I am enamored with movement as change and potential, the fundamental experience we have of our existence.

Utopia, paradise, flying, you name it. I seriously believe that this is possible, that it can be realized and I believe that I am working towards this, together with many others